Despite being christened Eugénie, Coco Chanel’s mum was known simply as Jeanne. Her sister Antoinette was one of her initial versions, parading her clothing daily along the hotel boardwalks of Deauville where Chanel had her first clothes boutique — the Paris address at rue Cambon was initially just licensed to sell hats. Lady Suzanne Orlandi was the first girl to wear the little black gown, a Chanel creation and potentially the most important contribution to the modern wardrobe.These are just a few of the women who left their mark Chanel’s life in her early days before 1920, and their names are immortalised in the most recent fine-jewellery collection, Coco avant Chanel.The collection is performed up in chic shades of white, pink and gray, realised in Padparadscha sapphires, Japanese and Tahitian pearls, morganite, gray spinels and moonstones. But most of the pieces, such as the pièce de résistance — the Gabrielle Chanel necklace — are dominated by the large enduring gem of all diamonds.In keeping with the theme of roots the necklace is intentionally named after Chanel’s given name rather than Coco — the nickname she gave herself. It is a collar necklace made of 1,581 diamonds, with camellia patterns which overlap and swirl around a 10.02ct pear-cut diamond set in the centre.Despite that the necklace’s girth, the general impression is one of lightness, due to its strategic gaps around the diamond which resemble the fearless snips of a seamstress’s scissors.
Opening her very first shop on Paris’s Rue Cambon in 1910, Chanel started out crochet hats. She later added stores in Deauville and Biarritz and started making clothing. Her first taste of clothing success came out of a dress she fashioned out of a classic jersey on a chilly day. In answer to the a lot of people who asked about where she got the dress, she offered to create one to them. “My fortune is built on that old jersey that I had put on because it was chilly in Deauville,” she once told author Paul Morand.In the 1920s, Chanel took her thriving business to new heights. She started her first perfume, Chanel No. 5, that was the very first to incorporate a designer’s name. Perfume “is the unseen, unforgettable, ultimate accessory of fashion… . That heralds your arrival and prolongs your departure,” Chanel once explained. The odor was actually also backed by section shop owner Théophile Bader and businessmen Pierre and Paul Wertheimer, with Chanel developing a close friendship with Pierre. A deal was finally negotiated where the Wertheimer company would take in 70 percent of Chanel No. 5 profits for producing the perfume in their factories, together with Bader receiving 20 percent and Chanel herself only getting 10 percent. Over the years, with No. 5 being a massive source of revenue, she sued to have the conditions of the deal renegotiated. Gabrielle Chanel made her first foray into the world of fine jewelry in 1932 when the ground-breaking Bijoux de Diamants collection was introduced, which was unlike anything Parisian society had previously encountered.
So what changed? The Great Depression, that is what. Chanel lent her aid to the diamond firms that were fighting in the depression, which had set in by 1929 and lasted until the late 1930s. Her justification was that “during the economic recession … there emerged an instinctive appetite for credibility”.So in 1932, Chanel produced a high-jewellery collection of 35 pieces featuring authentic diamonds. With the earliest use of precious stones in her designs, Chanel produced a sensation in the fashion world. She could have used colored stones but chose not to. “When I’ve selected diamonds, it is because they represent the best value in the smallest volume.The motivation behind the invitation to generate a diamond collection has been simply to revitalise the marketplace. It is a sign of Chanel’s influence on society and fashion this was regarded as a effective strategy — one woman to save an industry dominated by men.Chanel was key to liberating women by introducing them to more relaxed, comfortable clothes. She had a personal following among girls. Women looked at the 1932 diamond group with a view to purchasing for themselves, rather than waiting to receive.What they saw, when viewing the jewelry at her rue du Faubourg Saint-Honoré salon, in November 1932, was typical Chanel. She predicted the group simply Bijoux de Diamants.
Coco Chanel associated wheat with good fortune,” said Benjamin Comar, the international director of Chanel Fine Jewelry.The 62-piece line works grain vision into bracelets, rings, bracelets, earrings and watches in white and yellow gold set with diamonds and coloured gemstones; prices per piece range from $40,700 to $3,732,300. The French style house always selects a Coco-appropriate theme for its high-jewelry collections (2013’s lion represented her zodiac sign, Leo). To showcase the line, Chanel is sponsoring a wheat-based art installation by Gad Weil on Place Vendôme, across from its jewelry and observe flagship, during Paris Couture week from July 1. It is a type of haute harvest for those unable to purchase an extravagant bauble.As one of the most noteworthy fashion leaders ever, Coco Chanel’s legacy and style has carried on in the modern day trend market. Below, find 10 ways the Coco has shaped fashion.THE LITTLE BLACK DRESS Chanel once said, “women think about all colors except the lack of color. I’ve said that shameful has it all.” Her popularization of the classic little black dress is incontrovertible. Back in 1926, a very simple sketch of a girl sporting a black gown was published in Vogue. The magazine called the apparel A “sort of uniform for all women of taste” Versatile, easy, yet elegant, the tiny black dress turned into an essential part of each woman’s wardrobe.THE CLASSIC CHANEL SUIT Chanel took a risk, but successfully integrated menswear into her line of women’s clothing; Her signature suits utilized a traditionally masculine look, nevertheless took off with girls everywhere.
Inside the Ritz, the place for the presentation of the 2017 Métiers d’Art collection, the extra-long pearl necklace looked like Proust’s madeleine. While these silhouettes were moving down the runway within the last abode of the eternal Mademoiselle, it is without a hint of nostalgia that Karl Lagerfeld evoked the go-to supplier of jewelry and accessories to couture houses to bring Chanel’s signature back to life. Desrues was first established in 1929 – they would soon be cooperating with the largest Parisian couturiers of the day. After all these years, the brand has managed to maintain its savoir-faire and dedication to its unique craft. There wasn’t a single piece of Coco’s individual jewellery, according to her by the Grand Duke Dimitri Romanov and also the Duke of Westminster, that was not interpreted or reinterpreted here to the clientele of now. Today’s necklace comes in both a gilded metal and a nacre pearl variant; this is Desrues at its best, signing off on a highly desirable piece for Chanel.Preserved as legacy to maintain handing down all the aesthetic of a classic woman, even today, these extra-long bracelets with sparse sprinklings of pearls fit perfectly into the new grammar. As Chanel’s runway happened on the Place Vendôme, the headquarters of French fine jewellery, all of Gabrielle’s sleek frivolity was incarnated within the room. Symbol of femininity and purity, pearls – appreciated by Coco – are today the complete symbol of French refinement.
Chanel CC Logo Gold Tone Metal Chain Red Green Glass Stones Necklace Jewelry Features:
Condition: Good (A Little Tarnish. Wires Which Are Connecting Charms Have Rusts)
Material: Gold Tone Hardware and Red Green Glass Stones
Note: Note: Includes Box